The Giza Template














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Edward G. Nightingale

Edward Nightingale is a master woodworker and woodcarver with over 30 years of experience using the tools of the trade, measure and geometry, as well he has been a performing musician for over 30 years. Applying his understanding of geometry, measure, mathematics and music, he has discovered designed within the geometry and layout of the pyramid complex at Giza, by the original architects, high science, mathematics and astronomical data that will forever change our understanding of our ancient ancestors.  

 

Pocono Record article 9/28/08

 
 
 
 
 
 

 
 

 
 






Edward Nightingale was featured as Author of the Month at Graham Hancock's site, click here to read the article The Geometry of Giza

Click here for the article, The Case for Intent of Encoding Information In The Geometry Of Giza

Welcome to my web site!
 
 This is the official site of Edward Nightingale's work, The Giza Template, an architectural and geometrical unraveling of the design of the Giza Plateau near Cairo, Egypt.
 
 
The Giza Template E-Book will be available soon. 

 

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“This decoding of a major pyramid mystery is new, important and exciting. It is the solution to an architectural Rosetta stone, a problem that has attracted dozens of accomplished scholars over many decades. But all up to now have come up short and unconvincing. The preliminary unconditional positive reaction by knowledgeable and experienced scholars and mathematicians to this new interpretation assures us that this major pyramid mystery has been solved: one down and dozens more to go. The far reaching implications of this new work suggest that other long outstanding mysteries may well yield to clues provided here."       Quote by John Anthony West. 
 
  The Giza Template is a work in progress "back engineering" the design of the Giza Plateau Complex consisting of 9 pyramids and The Great Sphinx. This research is based on the hypothesis that the Complex was designed as a whole, with each individual structure having it's own piece of the puzzle or template. The lack of hieroglyphs or inscriptions at the site indicate that any message or theme being expressed in the design would be the language of geometry which can then be converted to number.
 
 As John Neal states in his book, "All Done With Mirrors":
 
"Design a model of the world durable enough to be interpreted, without instruction five or more millennia into the future". (Pg. 147)
 
"The tools used by the original creator are regarded as a straight edge and compass and he who would attempt the task must be limited by the same constraints. The solution to the reconciliation of arcs and lines must therefore be governed by proportion". (Pg. 229)
 
"These ideal expressions may be used for convenient approximations that are easily committed to memory, the tools of metrology, or number system are then available to correct the figures to any degree of accuracy". (Pg. 252)
 
 The above quote is very important and needs to be fully understood to realize how the measuring system works. An example of what this means is as follows; When doing a search on the internet the first page that lists all your options is the equivalent to the "ideal expressions" the geometry or canonical number, then you choose the specific site or in this case the specific fraction or number, it is actually quite simple and elegant and will help to understand the following equations, this is detailed in the E-book. Simply stated the above quote says, the geometry and canonical numbers get you very close to the exact number and then specific fractions or numbers then allow you fine tune the equation to get the exact number.
 
 Working with a compass and straightedge as the original architects would have done, I re-drew the plan view (view from above) of the Giza Complex and have uncovered the key to understanding the message encoded within the Giza Complex.
 As predicted in the hypothesis there is basic geometry that reveals mathematics, including but not limited to the origin of measure, the Egyptian Cubit and the "English Inch".
 In the graphic below I show the base dimensions of the Pyramid of Khufu as 440.000 Royal Cubits of 20.61818 English Inches, 441.000 Root Cubits of 20.57142 English Inches, and 756.000 English Feet. These dimensions are exact and what the original designers were expressing in the geometry, the, mathematics, and the linguistics. Take note that all the dimensions originate from the Root speed of light, 186,624 miles per second. This is derived from the distance (in miles) a 1 Hz "C note" wave travels in 1 second, (cycles per second). This "Root", the number "easily committed to memory" is then corrected by fractions to achieve a number of the "exact speed of light, 186,282". These exact numbers are encoded within in the Pyramid of Khufu, the name in Egyptian being "Aakhu t Khufu", and translates to the "Light Abode of Khufu". One Egyptian name for a Cubit is "Aakhu Meh", which translates to " Light Measure, or "Light Cubit"  Geometrically, mathematically, and linguistically, exact!!  
 
In the equations below notice how 440 and 441 play a critical role in determining the exact speed of light, 186,282 from the canonical or "ideal expression" " easily committed to memory" number of 186,624.
 
 
 
 
 
 
 
  
 
 

Aakhu t Khufu translates to "Light Abode of Khufu"
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All measure is derived from the speed of light.

In the forthcoming E-book I go into detail on exactly how the measuring system is derived from a fifth interval scale of music and why this relates to light speed, it's wavelength, and frequency. There is much more advanced mathematics encoded, I present a new look at the Eye of Ra or Eye of Horus and the fraction of 63/64ths, it's connection to the number, 63.6428 and Pi (22/7) 3.142857. This is a sample of what will be covered in, "The Giza Template" Key of 432. After demonstrating there is scientific knowledge encoded in the geometry, I follow the chain of possession of this knowledge down through the ages using the specific geometry discovered at Giza. I show how these precise geometrical shapes are used by individual groups in symbolism, sacred numbers and heraldry. Who controls this knowledge now and why they are keeping it from the public will be revealed, many questions will be answered, and more will be asked.. This E-book is much more than geometry and math, it is very simplistic and takes some of the confusion away from the plethora of theories about the true purpose of the the Giza Complex and it's connection to the very times in which we now live. I look at the accepted mainstream data and view it with a wide lens to see how all these pieces of the puzzle fit, it is self evident, the work stands on it's own. Stay tuned, this site will be updated with further information on an E-Book available right here, anyone interested in the E-Book can leave their contact information and will be notified as to when it will be available.  

 






View a short video of the basic geometry 

click here to play video

View a short video of the Pyramid arrangement within the Complex, it loads slow so be patient

click here to play video

Topics covered in the forthcoming E-book, The Giza Template  Key of 432
~The geometry of Giza
~Pi, Phi and the Fibonacci sequence 
~Mathematics encoded 
~The sound and light connection
~Harmonic frequencies
~Cymatics
~High science 
~Sacred numbers
~Symbolism and heraldry 
~Plato's Great Year
~The Zodiac Constellations
~Orion and the galactic center 
~The chain of possession of this knowledge
~What it means for us today! 
 








































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